exzellente compilation mit den lieblingssongs des jahres 2018 der britischen rough trade-shops. eine hochqualitative auswahl von echten musikkennern und -liebhaber/innen quer durch alle genres der aktuellen independent-szene - von den Überfliegern khruangbin über israel nash und baxter dury bis zu goat girl, bodega und den idles.
a return to france for lamour existe encore, a young producer named larozes debut on lph. a giddy jaunt through sun-kissed house with smatterings of filter fiddling, punchy horns, bright strings, chopped-up vocals. twenty-five minutes of many dj sets to come right here.
2019 repress - this year kevin saunderson, ann saunderson and paris grey, collectively known as the legendary band inner city, release >future<, their first entirely new material since parting company in 2001, written and produced in collaboration with another detroit legend, namely kenny larkin. the track marks a welcome return for a group that combined the tough, futuristic grooves of the detroit scene with the vocal energy of r&b and gospel and helped to define the period in which house and techno moved from underground phenomena to top 10 material, paving the way for hundreds of dance hits to come. >future< is devastatingly catchy and highly emotional, exhibiting all the soulful flavours and qualities you would expect from these celebrated producers and singers. masterfully re-edited by carl craig this track ascends to a higher place whilst kenny larkin is on remix duties, beautifully reworking the original into a techno infused monster with intoxicating staccato vocals.
limited pressing of mythical edits by glenn underground of rare jazz funk fusion music of eddie russ “take a look at yourself-, sarah dash “come and take this candy-, garnett mimms & truckin’ company “what it is” & side effect “never-. hand stamped, paper sleeves. another winner, don’t miss it!
aux4415 sees a lot of debuts and also old friends united on one huge compilation ep. after collecting these for a long time, it had to be two records to have enough room. here you ll find everything between idm, electro, braindance and expressive music from many different artists
this is an album by vocalist mayumi sonoda—a jazz vocalist who looked up to chris connor and made her debut at a us army camp at the age of 16—that was recorded with the help of kichiro sugino’s trio.
first of the year on butter sessions sees label heads sleep d return with their first solo ep since 2017. two unclassifiable, deep and euphoric bangers come out of the woods with elements of techno, idm and bass music. opening up the record we have u+zone a sweet and heart warming electro-cosmic force that takes inspiration from the deep ocean and the stark, spacious landscape of outback australia. emerging on the flip, centro turns the mood to the darker side with it s eerie chords and choir harmonies, held together with a monstrous drum and bass rytm designed for the freaks and geeks out there. pressed at 45rpm for extra fatness.
the nice belgium 9300 records from the small town named aalst come with a new talent from their local family delivering some fine tunes in the style of legowelt latest releases!
very limited repress! continuing the unconventional romanian minimal trips that flow from guy from downstairs mind, the bouncy beats from gfd002 illustrate the well-crafted, intriguing rhythms that are set to grip the dancefloors. heavy, lush basslines coliding with sharp percussions and freaky vocals are the ingredients that make the signature sound of a brand new and captivating gfd tale. after the first release from the vinyl-only gfd series, played by artists such as daniel bell, tofu prod (a.k.a. melchior+tanaka), livio&roby or audiofly, the time has come to unveil the second chapter of an ongoing story. early support from the likes of tini, bill patrick and nu zau.
i really felt that uku led me to this music and what to play it happened straight when i got back home from his funeral. maryn. lta fusion featured on this album was one of their last co-writes. maryn took what foundation her son played, and finished the song with him here.
the beginning of the opus gives us clues indicative as to what will come. it immediately plunges us into an electrifying, occult atmosphere counterbalanced by an ethereal outro marking the end of our journey, taking us home. the vinyl hottan is a series of hypnotic tracks that delivers a message to our unconscious, every aspect of a this ep reveals to us what is most profound.
following a split tape with ondness on discrepant s imprint sucata tapes , serpente returns to tormenta electrica after its debut with rituais 101 . a circular suite in four interchangeable parts, a noiva projects itself as a gateway into off kilter hypnosis summoned from ecstatic polyrhythms, jungle debris, dub tactics and the occasional 4/4 thump via free jazz streams of consciousness. a drawn out percussion workout around the communal fire. come along. we re here.
zabumbê-bum-á is is a fine example of progressive music to come from brazil in the late seventies. pressing on 180 gram vinyl, housed in a gatefold sleeve.
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